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Paris, 1971. At a biennale where young artists from around the world had gathered, Nakahira Takuma performed an experimental project that dared to ask, what is expression? He attempted to indiscriminately document a limited reality shaped by date and place and then immediately re-circulate these in reality. This would be the first materialization of his own photographic methodology.
Published by Osiris, Tokyo
Soft cover with slipcase
257 b/w plates
145 x 208 mm
Book design by Kazunari Hattori
As a photobook, this volume seeks to newly engage Takuma Nakahiras critical perspective as produced in Paris, 1971, rather than simply recreating the original installation. In 1973, seeking to make break with the past and reject his own photography up to that point, Nakahira would burn up most of his negatives and prints. Fortunately, or perhaps intentionally un-burned, the negatives corresponding toCirculation: Date, Place, Eventshave been preserved. There are approximately nine hundred and eighty cut 35 mm negatives (B&W) as well as forty-eight remaining prints confirmed to be part of the photographs taken and exhibited by Takuma Nakahira for his submission,Circulation: Date, Place, Eventsat the Seventh Paris Biennale. The editing and composition of this volume, which compiles together mainly photographs confirmed to have been exhibited and those which have not been confirmed, is based on analysis of their date and time of exposure as well as the state of their display during the installation found in these existing photographic and related materials. The prints made from the original negatives for the printing of this volume were produced by photographer Osamu Kanemura in consideration of the original aims of the work.
Takuma Nakahira - Circulation: Date, Place, Event, Buku foto photobook